IF YOU CAN HEAR IT, YOU CAN PLAY IT

IF YOU CAN HEAR IT, YOU CAN PLAY IT

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IF YOU CAN HEAR IT, YOU CAN PLAY IT
IF YOU CAN HEAR IT, YOU CAN PLAY IT
Melodic Minor Magic:Building Jazz Language for many chords with one scale

Melodic Minor Magic:Building Jazz Language for many chords with one scale

John C. O'Leary III's avatar
John C. O'Leary III
Apr 08, 2025
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IF YOU CAN HEAR IT, YOU CAN PLAY IT
IF YOU CAN HEAR IT, YOU CAN PLAY IT
Melodic Minor Magic:Building Jazz Language for many chords with one scale
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In this lesson, we explore the power of melodic minor — specifically Ab melodic minor — and how one scale can generate hip language over a wide range of chord qualities.

Using my Melodic Minor Cheat Sheet as a guide, I break down how Ab melodic minor maps onto:

  • Ab minor/major 7

  • G7 altered

  • Db7#11

  • F-7b5 with a natural 9

  • Bmaj7#5

We’ll dig into tools like arpeggios, triad pairs, hexatonics, and chromaticism — all geared toward building vocabulary that’s both versatile and personal. If you’re ready to move beyond modes and get inside the functionally flexible world of melodic minor, this one’s for you.

🎷 Subscriber Goodies Below 🎷

If you're already a paid subscriber, the full lesson is waiting for you just below—like a perfectly voiced Basie chord.

If you're not yet a paid subscriber and you're curious what all the fuss is about, I’d love to have you join the crew. Think of it like slipping into a smoky jam session wher

e everyone's trading 4s and you're always welcome.

Your support helps me keep creating these deep-dive lessons every week—and maybe buy a new reed or two along the way. I don’t even play sax. 😎

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